It’s as artistically abstract and disturbing as ever since the internet dark comedy transitioned into a full-fledged television show. Whether it’s about identity, workplace atmospheres, the importance of family, or even death, the show is shamelessly innovative and experimental in its art form combining segments of puppetry, live-action, claymation, traditional animation, and computer animation. Like the original series, Don’t Hug Me I’m Scared is now a sequence of self-reliant half-hour episodes, focusing on a ‘lesson’. With the longer runtimes come longer adventures in each episode. Establishing a feeling of existential dread and terror within the brightly colored space later in each episode, the team successfully preserved the look and feel of the original web series. Come on, guys, lets get creative Sketchbook: Whats your favorite idea Dont Hug Me Im Scared (stylized Dont Hug Me. The TV series carry similar plotlines compared to its YouTube counterpart a mysterious visitor, most commonly a felt inanimate object, coming to life and singing to the three characters (who are only named ‘Red Guy’, ‘Yellow Guy’, and ‘Duck’), seemingly teaching them a lesson on creativity, dreams, or technology before they begin to enact chaos. Comedians Phil Wang, Jamie Demetriou, and Lolly Adefope are now the voices behind new characters, too. Actually, it’s probably how all Krofft shows. It’s surprising to see that Sid and Marty Krofft were not behind this project, with the puppets, the wild, bright colors and high concept but low budget special effects. Now, over six years since the last webisode, Don’t Hug Me I’m Scared has finally moved to television in the U.K (Thankfully, all of these episodes have already been uploaded onto YouTube for everybody to watch).Īs Don’t Hug Me I’m Scared moves to television, more notable names have joined the team: Edinburgh comedy award winner Sam Campbell joins as a new writer, and Megan Ganz (writer for Community & It’s Always Sunny in Philadelphia) is now the story editor for the team. Don’t Hug Me I’m Scared is a well-crafted short film with some seriously dark humor. The careful attention to detail and hidden messages are what made the YouTube series so overwhelmingly successful. with the artistic touch of offal-stuffed horrors. Each episode is carefully handmade with felt puppets and felt life-sized furniture. Don’t Hug Me I’m Scared (often abbreviated as DHMIS) is a British surrealist musical comedy horror web and television series created by Becky Sloan, Joe Pelling, and Baker Terry. These videos would be slowly uploaded over the period of four years, 2011 to 2015, but this never seemed to discourage their dedicated fans. The juxtaposition of chipper singing puppets and gory folk horror is what made this series a great success on YouTube’s platform, quickly earning its massive fanbase in the company of thousands of theories and analyses, all on the show’s recurring cryptic themes.Ĭreated by artists Becky Sloan and Joseph Pelling, this crowdfunded web series has now accumulated over 216 million views on YouTube in only six episodes. Presenting itself as a colorful children’s television show, much like Sesame Street, coalesced with violence and dark comedy that hide thinly under the surface. Known for its surrealism and bizarre themes of horror, Don’t Hug Me I’m Scared made an iconic reputation for itself on YouTube in the early 2010s.
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